What did they do to you, son who did not manage to live? Did you manage to die?

What did they do to you, son who did not manage to live? Did you manage to die? (Refugees IV), 2014, oil on canvas, 130×97 cm

This work is inspired by the photo David Korn with his mother. The title comes from a verse of Juan Gelman’s Note XIV (1979).

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This series revisits the luministic and emotional tension of chiaroscuro to reinterpret works by Caravaggio through a...

Series of micro-landscapes painted on fragments of wood recovered from the former Can Ricart industrial complex (mid-...

Vertical landscape rethinks our relationship with territory from the machine’s gaze—satellites, drones, orthophotos—r...

Maps, toponyms and other cartographic representations

Remote places are both nearby and very far away. Proximity is provided by desire; distance is imposed by the difficul...

This project takes the former internment camp of Rivesaltes as a starting point to address the historical memory of t...

“Nel lieve sovrapporsi di cielo e terra” is conceived as a layered territory: pigment glazes, papers, frayed canvases...

Through images of material and moral ruin—remains, bodies, waste, scenes of exclusion and collapse—the project "The T...

This body of work takes the former internment camp of Rivesaltes as a starting point to address the historical memory...

Maremortum is part of the project Refugium, refugia, an artistic research into the idea of refuge and its reverse: ex...

A series of paintings that explores landscapes of exile and mass graves from Francoism as territories of denied memory.

In November 2015, at Hangar Barcelona, Marco Noris presented a performative action linked to his painting project in ...

'Critical analysis of Marco Noris’s work through the notion of “placeless places,” in which painting, process, and me...